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Alchemical Pilgrimage 2008 edit 01:16 Monks go on a holy pilgrimage to the sumit of mount Te Aroha in North island New Zealand - on the way they discover that a TV mast has been the source of their psychic attraction - this is a poor person's 'Holy Mountain' by Alexandro Joderowsky The Remote Viewers 2008 Telepaths within the electrical hermitages around Mount Te Aroha work with the local population - brain washing them through the use of street speakers which transmit alchemical to keep the population docile. The source of these broadcasts is shown to be the main stream mass media operating on officially approved frequency bandwidths. Under the guidence of remote viewing telepaths a technological witch-doctor called Nana Shamanic becomes the tool of the technicians observing this psychic effect. Behind the voice of control: A strange man in a puppet booth dispenses scrolls of power he remote viewers walk from the moon and embed themselves in your living room-once there there hatch a self replicating egg from an alien source-there is no stopping them even thought the original creature has long gone the echo of the echo lives on fore ever-revitialised each time you switch on the tube laboratory tests conducted within the closed hermetical seal of the grid cartesian coordinates descartes torture war kill situationism laboratory FACTORY REPLICATION UNTIL THE COPY IS THE COPY OF SOMETHING WHICH WAS NOT REAL ANYWAY- THE FACTORY WORKER RETURNS HOME TO WATCH "FACTORY" THE REALITY TV SHOW IN WHICH HE HAS BEGUN TO FEATURE- IT IS INTERUPTED BY THE FIGUREHEAD OF CAPITALISM [IN NEW ZEALAND ANYHOW] WHO PRESENTS A SPECIAL OFFER- ONE WHICH HE CAN NOT REFUSE A three part series which examines the telepaths of Te Aroha, a small town in New Zealand - transmitting subliminal signals across the pylons from their Electrical hermitages Filmed 2005 by Snakebeings Pumpkin soup Pumpkin soup is a ' surrealist metaphor for the disposable society of the spectacle in which a plastic headed consumer is caught within an endless cycle of decay' length 3:41 Photography Snakebeings Actor Adrienne Grant pYLON pIRATES 04:50 a Group of pylon resistance fighters become corrupted by the hum of the wires - Might be a bit regional, but in the Waikato, new zealand a power company wanted to put pylons accross farmlands and houses, there was a lot of resistance to the idea- excuse the pun- including threats of armed retail-iation "get off my land!" he says waving a shotgun-you know the type of thing- this film is taking the idea further and the pylon-badder-meinhoff terrorist group threaten to take the power into their own hands- of course all power corrupts and the hum of the pylon proves to be very seductive. ( The Shrine The Creation, worship and Destruction of Four Shrines in Spain Holland and London Cholera Clocks Santa arson AKA Steve Rife from St. Paul meets the sytematic production of his relics- thumbs of Santa Arson created by a mysterious monk-cult Death of an Orchestra A coin operated mechanical orchestra meet their destruction when a disgruntled customer objects to their money making scheme. The destruction of the orchestra has an imploding effect on the film reality of the customer showing the co-dependence of viewer and screen. summary of film The grotesque form of the Pixilated customer arriving at a corner shop begins The Death of an Orchestra in which the inhabitants of a mysterious mechanical coin operated theatre use a variety of schemes to rob the passer-by of their money. The stopmotion puppet's offer of a free coin entices the customer to spend more to view increasingly shorter performances of their ramshackle music. When the puppets resort to obvious begging tactics the hideous customer, who was at first enchanted by their magical spectacle, becomes angry and destroys the orchestra, finding their destruction means the end of his own existence as the curtains simultaneously close on both viewer and performer. Stp frame animation by SnakeBeings 2006 Martin and Snakes go to the Zoo dIRECTED AND fILMED bY MICHELLE SAVILLE - A comedic Semi-punkoiD macro adventure zone. Random humour bordering on 'a bit borat' or dave chapelle or even slightly monty pythony ... .. . Screened at the NEW YORK International Independent Film and Video festival.... 2006

El Syndicto Mexicano de Electroistas A group of Electricians who had began to sense that there was something strange within this invisible force which we allow to power our vehicles, appliances, and objects and Light. Whether or not increased exposure to the force within the wires had built some kind of sympathetic bridge between the electricians and the unknown, they had in common the fact that they had all felt the obscure power of the invisible force and it had perhaps awoken in them an ancient memory of magic, alchemy and mystery. Whatever the reason, they had decided to experiment further and set up a specific area in Mexico City known as ´El Syndicto Mexicano de Electroistas . The motivation for all four groups of specialists to move away into the unknown and abandon their fields was the fact that existing human culture had come to an end and revitilisation was essential as the negation of all known pathways. This dual action of negation and movement created the forms within which a new work could be achieved. Some said the true message was – look for the spaces between- look between the structures we have created or have been created for us. One of the criticisms of this philosophy was that new form created between older existing structures did not really focus on the space between. This was criticism seen in retrospect as these new structures grew from the exploration of the unknown and were simply signposts or dropping even left behind after the original force had left- onwards to new divisions of nothingness. But this journey into the unknown could not be followed when created by NANA SHE-MAN-IC a character created specifically for investigation into the depths of non-structural knowledge. Built to withstand zero comprehension confusion was not a state of mind but a way of life. NANA SHE-MA-IC held the capacity to move in erratically fluid directions leaving no trace of understanding, no new recognizable structures within which to dwell, no more divisions of nothingness, a blank slate with no chalk, emptiness erased to its core with NANAs crazed dance between forms unrecognizable, invisible even. Like the strange powers within the wires which serve all but are unknown, mysterious and uncertain in their source. The Syndical of electricians sensed this connectedness and when NANA SHE-MAN-IC danced her dance of kaos it was as if the electrical forces generated within her body broadcast a spasmodic morse code which defied all interpretation. The electricians decided to tap into this source by using body conductors connected to a predictive text mechanism translated the movements borne from deep possession into a oracular deity device which added a new connection between the structures of Interpretive Dance and Predictive text. Once the current was reversed it was possible to achieve two way communication with these deities of possession as NaNa She-Man-Ic convulsed and twitched with electrical impulses as a hanged man, filled with Tarot significance, might dance on the end of his rope. The induced body movement, which at times seemed synchronous to the tap-tapping of the input typewriter were created by the scientific and logical questioning of the electricians requests . The resulting answers which came forth from the unknown source of the Oracle were translations of deeply chaotic movements passing through the various mechanisms and technologies to create a bridge between disparate worlds.